With a history dating back to the fourteenth century, Mexico City blends indigenous pre-Hispanic roots with colonial architecture and Spanish-baroque influences. This unique fusion, crafted from local materials like cantera and tezontle, inspires artists and architects alike. Iconic structures like Diego Rivera's Anahuacalli Museum and Juan O'Gorman's Cave House proudly embody the city's rich history. Today, Mexico City serves as a vibrant backdrop for renowned filmmakers such as Alejandro González Iñárritu, Alfonso Cuarón, and Michel Franco. Discover a city of wonders, where history and creativity come to life.
Des timbres aux affiches grand format en passant par les magazines, les tracts, les partitions ou les publicités, ce livre rassemble plus de 350 imprimés mexicains des années 1910 aux années 1960, allant des micro-tirages aux impressions en quantité massive. Cette banque d'image engagée et colorée en dit long sur l'Histoire du pays après la Révolution Mexicaine de 1910, sur la culture de l'imprimé qui y reste omniprésente et sur l'importance que l'imagerie populaire mexicaine, entre fantasme et réalité.
Hotel Esencia, one of the world's top 25 hotels, sits on a 50-acre property along Mexico's Riviera Maya between Tulum and Playa del Carmen. This estate features a pristine white-sand beach and a lush backdrop of jungle. Known for its understated luxury, the hotel combines white concrete with bright primary colors, filled with unique designer furniture like Charlotte Perriand chairs and Picasso ceramics. Kevin Wendle, the entertainment mogul who owns the hotel, infuses it with personal style and attention to detail. Authored by Melinda Stevens, the hotel's book showcases its serene beauty, sea turtle nesting grounds, and vibrant wildlife. Guests can enjoy the 12,000-square-foot mansion with a speakeasy, Beefbar Esencia, and what might be Mexico's best margaritas. Hotel Esencia's signature hospitality is defined by surprises and unforgettable experiences, ensuring guests are constantly enchanted and inspired.
