Daniel Mendelsohn

  • Lorsque Jay Mendelsohn, âgé de quatre-vingt-un ans, décide de suivre le séminaire que son fils Daniel consacre à l'Odyssée d'Homère, père et fils commencent un périple de grande ampleur. Ils s'affrontent dans la salle de classe, puis se découvrent pendant les dix jours d'une croisière thématique sur les traces d'Ulysse.

    Croisant les thèmes de l'enfance et de la mort, de l'amour et du voyage, de la filiation et de la transmission, cette exploration fascinante de l'Odyssée fait écho au récit merveilleux de la redécouverte mutuelle d'un père et de son fils.

  • Dans la famille de Daniel Mendelsohn, il y a un trou : en 1941, son grand-oncle, sa femme et leurs quatre filles ont disparu dans l'est de la Pologne. Comment sont-ils morts ? Nul ne le sait. Pour résoudre cette énigme, l'auteur part sur leurs traces. Le résultat ? Non un énième récit sur la Shoah, mais un formidable document littéraire, à la fois enquête dans l'Histoire et roman policier.

  • Trois anneaux Nouv.

  • Trois anneaux commence par raconter l'histoire de trois écrivains en exil qui se sont tournés vers les classiques du passé pour créer leurs propres chefs-d'oeuvre. Erich Auerbach, le philologue juif qui fuit l'Allemagne nazie pour écrire sa grande étude de la littérature européenne, Mimésis, à Istanbul. François Fénelon, l'évêque du XVIIe siècle, auteur d'une merveilleuse suite de l'Odyssée, Les Aventures de Télémaque, best-seller de son époque, qui lui valut le bannissement. Et l'écrivain allemand W.G. Sebald, qui s'exila en Angleterre, et dont les récits si singuliers explorent les thèmes du déplacement et de la nostalgie.
    À ce conte d'exils, Daniel Mendelsohn ajoute sa propre voix, entrelaçant l'histoire de la crise qu'il traversa entre l'écriture de la grande fresque mémorielle des Disparus et celle du récit intimiste d'Une Odyssée. L'« art poétique » qui en résulte est un hommage aux mondes grecs et juifs, un trait d'union entre Orient et Occident et une ode à la littérature française.

  • Une enfance dans une famille juive unie autour de la figure fondatrice du grand-père, une jeunesse incandescente et hantée, voilà ce qui a forgé les deux passions de Daniel Mendelsohn : passion pour les langues anciennes, passion pour les garçons. Dès lors, sa " grammaire de l'identité" suivra des méandres bouleversants. Lorsqu'une amie lui propose d'incarner le père auprès de l'enfant qu'elle porte, il va partager sa vie entre les " garçons " de Chelsea et la banlieue où habite sa nouvelle famille. Et toujours, chez l'auteur des Disparus, poèmes latins et tragédies grecques se font l'écho d'un secret de famille lancinant.

  • Ce recueil réunit une vingtaine de critiques sur des oeuvres cinématographiques (Marie-Antoinette de Sofia Coppola, Avatar, etc.) et littéraires («L'empreinte de l'ange» d'Alice Sebold, «Un homme» de Philip Roth, «Le maître» de Colm Toibin, etc.) parues dans la «New York Review of books» et le «New Yorker».

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  • ''Mendelsohn takes the classical costumes off figures like Virgil and Sappho, Homer and Horace ... He writes about things so clearly they come to feel like some of the most important things you have ever been told.'' Sebastian Barry Over the past three decades, Daniel Mendelsohn''s essays and reviews have earned him a reputation as ''our most irresistible literary critic'' (New York Times). This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer''s epics to help explain the AI films Ex Machina and Her, and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ''bad boy of Athens'') about a wayward husband whose wife returns from the dead. There are essays on Sappho''s sexuality and the feminism of Game of Thrones; on how Virgil''s Aeneid prefigures post-World War II history and why we are still obsessed with the Titanic; on Patrick Leigh Fermor''s final journey, Karl Ove Knausgaard''s autofiction and the plays of Tom Stoppard, Tennessee Williams, and Noel Coward. The collection ends with a poignant account of the author''s boyhood correspondence with the historical novelist Mary Renault, which inspired his ambition to become a writer. In The Bad Boy of Athens, Mendelsohn provokes and dazzles with erudition, emotion and tart wit while his essays dance across eras, cultures and genres. This is a provocative collection which sees today''s master of popular criticism using the ancient past to reach into the very heart of modern culture.

  • Hailed for its searing emotional insights, and for the astonishing originality with which it weaves together personal history, cultural essay, and readings of classical texts by Sophocles, Ovid, Euripides, and Sappho, @20@The Elusive Embrace@21@ is a profound exploration of the mysteries of identity.@95@#160;@95@#160;It is also a meditation in which the author uses his own divided life to investigate the @11@rich conflictedness of things,@11@ the double lives all of us lead.@16@@16@Daniel Mendelsohn recalls the deceptively quiet suburb where he grew up, torn between his mathematician father's pursuit of scientific truth and the exquisite lies spun by his Orthodox Jewish grandfather; the streets of manhattan's newest @11@gay ghetto,@11@ where @11@desire for love@11@ competes with @11@love of desire;@11@ and the quiet moonlit house where a close friend's small son teaches him the meaning of fatherhood.@95@#160;@95@#160;And, finally, in a neglected Jewish cemetery, the author uncovers a@95@#160;@95@#160;family secret that reveals the universal need for storytelling, for inventing myths of the self.@95@#160;@95@#160;The book that Hilton Als calls @11@equal to Whitman's 'Song of Myself,'@11@ @20@The Elusive Embrace@21@ marks a dazzling literary debut.@16@@16@@16@@18@From the Trade Paperback edition.@19@

    Over the past decade and a half, Daniel Mendelsohn’s reviews for The New York Review of Books, The New Yorker, and The New York Times Book Review have earned him a reputation as “one of the greatest critics of our time” (Poets & Writers). In Waiting for the Barbarians, he brings together twenty-four of his recent essays--each one glinting with “verve and sparkle,” “acumen and passion”--on a wide range of subjects, from Avatar to the poems of Arthur Rimbaud, from our inexhaustible fascination with the Titanic to Susan Sontag’s Journals. Trained as a classicist, author of two internationally best-selling memoirs, Mendelsohn moves easily from penetrating considerations of the ways in which the classics continue to make themselves felt in contemporary life and letters (Greek myth in the Spider-Man musical, Anne Carson’s translations of Sappho) to trenchant takes on pop spectacles--none more explosively controversial than his dissection of Mad Men.
    Also gathered here are essays devoted to the art of fiction, from Jonathan Littell’s Holocaust blockbuster The Kindly Ones to forgotten gems like the novels of Theodor Fontane. In a final section, “Private Lives,” prefaced by Mendelsohn’sNew Yorker essay on fake memoirs, he considers the lives and work of writers as disparate as Leo Lerman, Noël Coward, and Jonathan Franzen. Waiting for the Barbarians once again demonstrates that Mendelsohn’s “sweep as a cultural critic is as impressive as his depth.”

  • From the award-winning, best-selling writer: a deeply moving tale of a father and son's transformative journey in reading - and reliving - Homer's epic masterpiece. When eighty-one-year-old Jay Mendelsohn decides to enrol in the undergraduate seminar on the Odyssey that his son Daniel teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his one last chance' to learn the great literature he'd neglected in his youth and, even more, a final opportunity to understand his son.

  • The author describes how his family was haunted by the disappearance of six relatives during the Holocaust and how he embarked on a determined search to find the remaining eyewitnesses to his lost ancestors' fates.

  • From award-winning memoirist and critic, and bestselling author of The Lost: a deeply moving tale of a father and son's transformative journey in reading--and reliving--Homer's epic masterpiece.
    When eighty-one-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. As this intricately woven memoir builds to its wrenching climax, Mendelsohn's narrative comes to echo the Odyssey itself, with its timeless themes of deception and recognition, marriage and children, the pleasures of travel and the meaning of home. Rich with literary and emotional insight, An Odyssey is a renowned author-scholar's most triumphant entwining yet of personal narrative and literary exploration.